
From my earliest experimentations with Legos to my appreciation of artists like Edward Hopper and Syd Mead, I have always had a strong fascination with geometric shapes and an aggressive use of perspective. I strive to give inanimate objects a life of their own. In my work, I accomplish this through conceptual and suggestive techniques, avoiding total refinement of my subject matter. I hope that this leads to effective communication of my ideas without having to explain it all to the human eye. Furthermore, I compliment this with a freedom of materials ranging from acrylics on canvas to completely digital formats, often combining mediums.
Currently, I am exploring three different creative directions. The first is a more traditional, digital, illustrative style, which focuses on science fiction subjects–the second is abstract paint on canvas expression, combining my product rendering background with my love of geometry and perspective. The third is a combination of straight photography and photo manipulation.